@article {Iddon:-2/February–April 2006:0749-4467:93,
	author = "Iddon, Martin",
	title = "On the entropy circuit: Brian Ferneyhough's Time and Motion Study II",
	journal = "Contemporary Music Review",
	volume = "25",
	year = "-2/February–April 2006",
	abstract = "This article discusses aspects of the relationship between the vocalising cellist and the live electronics in Brian Ferneyhough's piece Time and Motion Study II . These include: first, the suggestion that the relation, rather than being oppositional as Ferneyhough himself has suggested, is actually one of a combined cyborg identity, albeit one that will end in mutually assured destruction; and, second, the idea that the electronics act as an `entropy circuit', both absorbing and preserving the piece's potential gestural energy, and simultaneously guaranteeing that the energy will be exhausted by removing its gestural element.",
	pages = "93-105(13)",
	url = "http://www.ingentaconnect.com/content/routledg/gcmr/2006/00000025/F0020001/art00010"
	doi = "doi:10.1080/07494460600647493"
}